Wednesday, October 29, 2008

Jack Robinson's Canal Street


photo: Jack Robinson Archive

who: Jack Robinson
what: an exhibit of twenty-one photographs of Canal Street c . 1950
where: Sheraton New Orleans Hotel lobby, 500 Canal Street
when: opening reception, Thursday October 30 from 5 - 7 pm
then: Prospect.Everyone,
Thursday October 30, from 7-10 pm @ 500 Julia Street

Wednesday, October 22, 2008

Club Desire (THREATENED)


2604 Desire, originally uploaded by Karen Apricot New Orleans.
The Cornerstones Project celebrates "the everyday monuments and gathering places of New Orleans neighborhoods." The Neighborhood Story Project and Tulane City Center collaborated to produce the Cornerstones Book which is already going into its second printing. They are continuing to grow their registry of these often overlooked social and cultural landmarks. Anyone can nominate a structure or site of social significance. Below is the text from my nomination of Club Desire.

Name of public place: CLUB DESIRE
Address/location: 2604 Desire St. corner of Law
Neighborhood: Upper Ninth Ward, Florida Development

Why does your place deserve to be nominated? Explain in detail why this place is important, such as how it tells an important story from history, houses cultural activities and traditions, serves as an important space for socializing, or enhances the beauty or artistic character of your neighborhood.

The club was likely built sometime between 1920-1940 in an a hybrid mission / moderne style. The entrance was lined in glass blocks which glowed when the club had live music. The club hosted the finest of New Orleans jazz, rhythm and blues: Fats Domino, Deacon John, Louis Armstrong, Billie Holliday.

Please include any details about the site or physical features if the place. Also, are you aware of any physical damage or plans that threaten the future of the place?

It is on the imminent health threat list. On Monday 10.20.08, the Club Desire was slated for review by the Neighborhood Conservation District Committee.

Are you aware of any other individuals or organizations that may have more information about the place you nominated?

In May WDSU reported that attempts were being made by Marguerite Doyle-Johnston to save the club. YouTube
FutureProof is designing a new sustainable house for Ms. Doyle-Johnston who hopes to save the Club and renovate it into a community center.

Fats Domino would be a great interview. According to this interview with Rick Coleman, Fats Domino was discovered in 1949 playing at The Hideaway across the street from Club Desire.

Tuesday, October 7, 2008

National Maritime Union (under renovation)

National Maritime Union
Last week, I went to Albert Ledner's National Maritime Union to view status of the current renovation. Unfortunately the exterior glazed brick has been covered in plaster. The glazed brick interior is intact. At least for now.

see new photos in flickr.

Thursday, October 2, 2008

ELEMENTAL :: art opening

I have a new body of glass work on display at the BECA Gallery this month. Three of the pieces include multi-faceted glass chains. The individual links are assembled and fused from multiple layers of small glass bricks. In BRIDGE and MANDALA :: MANDORLA the chains are strapped to woven rubber canvas made from recycled bicycle inner tubes and stretched across a wooden frame. The rubber and glass play off each other in a pure material dialogue of tension, elasticity and rigidity. A series of TEXT::TILES continue an ongoing interest in the evolution of language and drawing and the correlations between books and walls. My art work is heavily influenced by my studies of bookmaking, architecture and philosophy. The center piece of the show, a monumental WOVEN PANEL, was previously displayed at the Contemporary Arts Center. The fused glass panel is assembled from pieces of recycled mid-century green jalousie glass. The panel is bound and suspended with sisal rope from the center beam of the gallery.

The show officially opens Saturday night from 6-9 pm in conjunction with Art for Arts' Sake. There will be a sneak preview tonight from 6-7.

BECA Gallery (map)
527 St. Joseph St. New Orleans

slideshow

Tuesday, September 30, 2008

LANDBANKED by the RSD


Audubon Charter Extension, originally uploaded by New Orleans Lady.

THANKS TO KAREN AND WAYNE FOR THE EMAILS. SEND IN YOUR COMMENTS PEOPLE! MASTERPLAN@RSDLA.NET

The Recovery School District (RSD) has requested written comments to their recently issued master plan “A Blueprint: Building 21st Century Schools for New Orleans.” While the master plan establishes important goals for the re-visioning of the public school system, we believe that important issues regarding urban planning, sustainability, and historic preservation are not being addressed.

The deadline for comments is tomorrow, October 1st, and we are urging everyone to let the RSD know that these issues are important for our community, our organization, and for establishing an approach towards adapting existing buildings to address the needs of individual neighborhoods. The email address to which you may send your comment is:
masterplan@rsdla.net

Of utmost concern is that over 56 schools are threatened with closure or demolition. While we are not proposing a mandate to save every school building under threat, we are greatly concerned that there is no specific plan for utilizing these buildings, and we feel that the demolition of historic buildings is not appropriate.

The following three statements are intended for you to utilize in your communication with the RSD. Feel free to use any of these statements to supplement your position or simply cut and paste one of these into your letter. The important issue here is to let the RSD know that we want more specific plans for these sites and that we want to preserve our culture and history that is embodied in these buildings.


PRIMARY ISSUES:

1. Landbanking as concerns responsible city planning:

There are over 56 sites within the plan currently proposed for demolition and/or landbanking in New Orleans. Many of these sites currently exist in what are already heavily blighted conditions without proper planning or address for solutions for the sites. Without an idea or plan in place for what might be or could be on these sites, there is a high possibility that these properties will simply exists as empty, gated lots without purpose or programming for what could be many years. Some of these demolitions have replacement buildings planned, some will simply be boarded up, and those that are demolished will have the lots seeded and fenced off, waiting for the prospect of development sometime in the future. With a rash of demolition activities pending throughout the city, it is imperative that as a community, we step back and evaluate the long-term loss of the culture, diversity and history that these structures represent before they are torn down and hauled to the landfill.

It is understood, not only from current conditions in the city, but from a great variety of examples nationwide, that this type of clearing and closing off of land creates further problematic conditions (as opposed to solutions) in the areas in which they occur. Without active buildings, programming, people, and access these sites can easily become uncared for empty lots that potentially create conditions with undesirable outcomes that go beyond the obvious negative visual impact. Unlit, fenced and deactivated lots become literal barriers between activated spaces for those that live and work in these communities. It is against the very notion of a city plan, or planning itself, to create empty lots in areas in which there are already so many unused and non-activated spaces. The very notion of planning consists of creating a purpose, a need, resources, and opportunities to further enhance and allow for an engaged community. Creating empty lots with unknown futures is simply bad planning. This condition already exists, and it has not proven to be a fruitful means to engage the surrounding community. Empty, unused space only provides people with unsightly lots and unused land, resulting in an overall waste for the public and the city. We need to promote neighborhood development through targeted areas and infill development.

2. Sustainability and Adaptive Reuse:

It is clear that one of the most environmentally responsible reactions to a building or site that is no longer needed is that of finding a new purpose for the EXISTING building and site. The prevalent rallying cry seems to be “anything new is better than what we had.” Complete replacement in lieu of a sustainable approach based on renovations, adaptive reuse and infill development is simply not supportive of the sustainable mandate that the RSD is requiring for it’s new schools construction criteria. The process of planning, design, demolition and replacement is not only more costly than renovations, it takes more time and it is not sustainable.

While it is easy to tear and build new, this is a great waste not only of the material and structure that is tossed into a landfill, but also as concerns the secondary materials and wastes involved with building new. Within the current schools plan, there has already been an example of a school deemed as unnecessary--in terms of populations served—that has been given a new and needed purpose. This example is Mahalia Jackson, which is now being transformed into an educational center for young mothers and children. Taking a site which no longer demands the population to serve a school, and in turn creating a site to serve a community with a much-needed service, is a prime example for a successful adaptive reuse project. The building is preserved, upgraded and transformed for a current condition and direct need. This current example should be further investigated as to what methods were adopted, etc. to make this happen. Was this a singular gesture? How and what paid for the outcome? Assuming there are others, why are so many sites not considered for the same result? How can we think about these site and structures as OPPORTUNITIES to further engage the surrounding areas and community with solutions as opposed to providing them with open lots that serve nothing and no one for the immediate future? Have other organizations been involved with creating opportunities, responses and purpose for the sites? How can we, as an organization, help to identify and pair the organizations with purpose and need with these sites? If the objective is education, can we further identify other organizations with the same mission to assist in not only programming these sites, but also to identify and retain funds for the same purpose?

Renovation and rehabilitation of these school buildings can become symbolic of the city’s ability to recover and renew itself.


3. Historic Preservation
Many of the sites deemed for demolition have been recognized as having historic significance, and should be treated with this in mind. These identified historic resources speak of a place, time, and culture -- something that should be retained for future generations to learn from. We have the great opportunity to retain these sites, and the history of New Orleans, while simultaneously creating new uses for these buildings.


There are many buildings that can and should be saved including a number facilities designed by E.A. Christy and the Priestly School of Architecture and Construction.

Of particular interest is the unique design of the Phyllis Wheatley Elementary School located at 2300 Dumaine Street in Historic Treme, which is currently slated for demolition and replacement in the second phase of the master plan.

It is imperative that the RSD secures the preservation of these buildings by taking the responsibility, as the owners, of ensuring that their fate is a positive one, and does not end with demolition or neglect. Whether these historically significant buildings are part of the public school system under the master plan, or are sold to outside parties for redevelopment in the community, the RSD should chose a course of action that plans for these sites to retain the historic properties that enrich the city.

Many of these buildings would adapt well to updated facilities and an integration of sustainable design elements. An adaptive approach that maintains sensitivity to the historically significant elements would be a positive and successful route for retaining these sites and integrating dual goals of preservation and sustainable design / adaptive reuse. This approach would make the introduction of these sites in the communities that much more successful, as not only historically educational and culturally rich components, but as models of an innovative approach that combines up-to-date facilities for the students with a successful sustainable design approach and the retention of historically and culturally significant fabric in the city for the enjoyment and education of our future generations.

We need to establish and promote an advocacy for preservation and conservation.

International Longshoreman's Association (ACTIVE DEMOLITION)

"As one vitally interested in the contemporary world - one who welcomes living in the Twentieth Century and nourished the hope of contributing to it - I have independently come to the conclusion that the preservation of that which is good, be it old or new, is absolutely essential to our sanity as well as our understanding of ourselves, and to our own progress. We make a mistake if we equate old with good, but when we do find these coexisting then there is the greatest imperative to preserve the old for only by doing so can we have a sense of time and sense of place without which we have only a present, ever fleeting - which is an intolerable and unbearable state for man. When therefore, I say that the preservation of the good and the old is essential for man's sanity, I do not overstate the case."

John Lawrence, 1964

Modernism and Desire: A Streetcar Tour of Endangered Buildings

Building Canal Street
Building Canal Street, originally uploaded by regional.modernism.
AIA New Orleans is proud to partner with DOCOMOMO-New Orleans to present, "Modernism and Desire: A Streetcar Tour of Endangered Buildings" a streetcar tour taking place on historic Canal Street. This tour is presented in conjunction with a nationwide day of Modern architecture tours, lectures and other special events in celebration of the 10th anniversary of the founding of DOCOMOMO-US.
From end to end, Canal Street boasts a collection of Modern buildings, the architectural features and distinct elements of which are best appreciated from a comfortable perch on a slow-moving streetcar. Many of the buildings, endangered since they were flooded by Katrina’s waters, sit in stark contrast to the recovery efforts achieved in the surrounding Mid-City neighborhoods. “Modernism and Desire” will emphasize the goals of DOCOMOMO-US Louisiana, organized to promote and protect modern architecture and urban design in and around the New Orleans area.

The guided tour on a chartered New Orleans streetcar will be narrated by local architect, John Klingman. The “Modernism and Desire” tour will end at the foot of Canal Street, just steps from the city’s Art for Art’s Sake celebration. Cost per person is $25.00 for DOCOMOMO-US members and $35.00 for non-members in advance. Seating is limited, and advance reservations are highly recommended.

04 Oct 2008
4:30 PM - 6:00 PM
tour begins and ends:
World Trade Center
2 Canal Street
New Orleans, LA

To register for the event, click here.